The 100 Greatest Albums in Christian Music — #75: Imperials, One More Song For You (1979)

Intro

At #75 in The 100 Greatest Albums in Christian Music, the Imperials’ One More Song for You (1979) is where conviction met world‑class craft. For many—including our editor here—it was the record that proved Christian music could match the sonic excellence of any mainstream release.

The Album in Context

Produced by Michael Omartian, the album arrived as studio technology and pop sensibilities were evolving fast. Omartian’s fingerprints are everywhere: elegant keys, sleek rhythm beds, and arrangements that breathe. At the same time, he was producing Christopher Cross’s debut—a juggernaut that would soon win five Grammys (Album, Record, Song of the Year, Best New Artist, and Best Arrangement Accompanying Vocalist[s]).

That shared producer mattered. It signaled parity: these songs wore the same high‑gloss craftsmanship as radio’s biggest hits while carrying an explicitly Christian message. For countless listeners—this writer included, with cherished copies on both vinyl and CD—the album became a lifelong benchmark for excellence with a purpose.

Standout Songs

• “I’m Forgiven” — A defining radio hit that paired stadium‑size melody with testimony‑plain lyrics. Its hook became a shorthand for grace, and its sheen showcased how immaculate production could amplify the gospel, not obscure it.
• “One More Song for You” — The title track’s tender resolve distilled the Imperials’ mission—sing one more song so someone hears one more invitation. Its dynamics and arrangement became a template for inspirational pop ballads in the ’80s.
• “Eagle Song” — Biblical imagery takes flight over lifted strings and buoyant rhythm section. This track signaled that CCM could be cinematic without losing congregational connection.

Why It Matters

Artistically, One More Song for You set the bar for gospel‑pop production—tight background vocals, pristine drum tones, and orchestration that lifts without overpowering. The Imperials’ vocal blend sits front and center, proving that polish can serve passion.

Spiritually, its songs are invitations—clear, compassionate, and memorable. The record’s influence echoes through ’80s CCM and beyond, where artists learned that technical excellence could be a form of love for the listener.

What’s Next

Tomorrow in The 100 Greatest Albums in Christian Music countdown: From classic quartet blend to guitar‑driven urgency, we arrive at #74 with White Heart’s Don’t Wait for the Movie (1986). Be sure to catch the companion podcast episode of The CCM Professor with Greg Rice, where we connect the dots between these landmark recordings.

Soli Deo Gloria!

This post is part of the series The 100 Greatest Albums in Christian Music, celebrating the artists and recordings that defined a generation of faith-filled creativity.

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