The 100 Greatest Albums in Christian Music: From Keaggy to Patty (#93–87)
Seven albums, one movement in full bloom—from a landmark live collaboration to orchestral worship on a grand scale.
Episode Intro
Welcome to Episode 3 of The CCM Professor
Tag: The 100 Greatest Albums in Christian Music
The 100 Greatest Albums in Christian Music — #77: Julie Miller, Invisible Girl (1994)
Gentle, fearless songwriting that turned vulnerability into ministry and folk‑pop into pastoral care.
Intro
Charted at #77 in The 100 Greatest Albums in Christian Music,
The 100 Greatest Albums in Christian Music — #78: Various Artists, Streams (1999)
A late‑’90s worship‑and‑reflection project that bridged CCM and mainstream voices with cinematic scope.
Intro
Placed at #78 in The 100 Greatest Albums in Christian Music, Streams
The 100 Greatest Albums in Christian Music — #79: Twila Paris, Sanctuary (1991)
A quiet, Scripture-rich worship cycle that carried Twila Paris’s church-focused songwriting into the ’90s with grace, intention, and lasting global influence.
Intro
Landing at #79 in The
The 100 Greatest Albums in Christian Music — #80: Jennifer Knapp, Kansas (1997)
Acoustic grit and confessional lyrics—an alt-folk milestone that made space for vulnerability in CCM.
Intro
Coming in at #80 in The 100 Greatest Albums in Christian Music
The 100 Greatest Albums in Christian Music — #81: Cindy Morgan, Listen (1996)
From dance-pop prodigy to reflective storyteller—arrangements and lyrics that reward close attention.
Intro
Coming in at #81 in The 100 Greatest Albums in Christian Music, Listen
The 100 Greatest Albums in Christian Music — #82: Seventy Seven’s, 77’s (1987)
Art-rock finesse and pop instincts—The 77s at their most accessible and enduring.
Intro
Coming in at #82 in The 100 Greatest Albums in Christian Music, 77’s
The 100 Greatest Albums in Christian Music — #83: Lifesavers Underground, Shaded Pain (1987)
Post‑punk minimalism and spiritual candor—dark hues that made room for hope.
Intro
Coming in at #83 in The 100 Greatest Albums in Christian Music, Shaded
The 100 Greatest Albums in Christian Music — #84: Lost Dogs, Little Red Riding Hood (1992)
Story‑songs, Americana textures, and wry grace from a roots‑music supergroup.
Intro
Coming in at #84 in The 100 Greatest Albums in Christian Music,
The 100 Greatest Albums in Christian Music — #85: Delirious?, King Of Fools (1998)
Brit‑rock urgency meets vertical lyrics—an electric bridge between alt‑rock and modern worship.
Intro
Coming in at #85 in The 100 Greatest Albums in Christian Music,