The 100 Greatest Albums in Christian Music — #41: U2, October (1981)
Post-punk devotion in real time—anguished prayers, chiming guitars, and a band still learning how to carry faith into the spotlight.
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Arriving at #41 in The 100 Greatest
Tag: The 100 Greatest Albums in Christian Music
The 100 Greatest Albums in Christian Music — #42: Bruce Cockburn, Dancing In The Dragon’s Jaws (1979)
Mystic folk-rock with guitar fire—poetic lyrics, intricate playing, and a restless spiritual hunger at the center of it all.
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Appearing at #42
The 100 Greatest Albums in Christian Music — #43: Point Of Grace, Life, Love, And Other Mysteries (1996)
Four-part harmony at peak ’90s CCM—radio-ready hooks, polished production, and songs that carried encouragement into countless everyday lives.
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Landing at #43
The 100 Greatest Albums in Christian Music — #44: Amy Grant, Behind The Eyes (1997)
Vulnerable pop confession—stripped-back arrangements, journal-page honesty, and the sound of Amy Grant reckoning with love, loss, and faith in the late ’90s.
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Appearing at
The 100 Greatest Albums in Christian Music — #45: Michael W. Smith, Change Your World (1992)
CCM at mass‑appeal scale—radio titans, orchestral lift, and pop craftsmanship at the height of ’90s gloss.
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Appearing at #45 in The 100 Greatest
The 100 Greatest Albums in Christian Music — #46: Margaret Becker, Immigrant’s Daughter (1989)
Arena‑ready conviction with singer‑songwriter heart—electric bite, anthemic hooks, and a story you can hear.
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Appearing at #46 in The 100 Greatest Albums in Christian Music
The 100 Greatest Albums in Christian Music — #48: The Winans, Tomorrow (1984)
Sanctified soul modernized—quartet DNA meeting sleek ’80s production, turning testimony into radio gold.
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Appearing at #48 in The 100 Greatest Albums in Christian Music, The
The 100 Greatest Albums in Christian Music — #49: Keith Green, So You Wanna Go Back To Egypt (1980)
Prophetic piano pop—holy zeal, sharp wit, and melodies that still call the church to wakefulness.
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Appearing at #49 in The
The 100 Greatest Albums in Christian Music — #50: The Choir, Chase The Kangaroo (1988)
Alt‑rock shimmer with sacramental longing—jangled guitars, deep‑in‑the‑bones rhythms, and lyrical second sight.
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Appearing at #50 in The 100 Greatest Albums in Christian Music,
The 100 Greatest Albums in Christian Music — #52: King’s X, Faith Hope Love (1990)
Power‑trio theology—drop‑dead grooves, gospel‑tinged harmonies, and lyrics that wrestle in the open.
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Appearing at #52 in The 100 Greatest Albums in Christian Music,