The 100 Greatest Albums in Christian Music — #86: Jaci Velasquez, Heavenly Place (1996)
A fresh, radiant voice carried ’90s CCM into the mainstream with pop polish, heartfelt devotion, and bilingual reach.
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Coming in at #86 in The 100
Tag: CCM History
The 100 Greatest Albums in Christian Music — #87: Sandi Patty, Morning Like This (1986)
The golden voice of CCM at full bloom—cathedral‑size worship wrapped in studio elegance.
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At #87, Morning Like This (1986) captures Sandi Patty at
The 100 Greatest Albums in Christian Music — #88: Stryper, To Hell With The Devil (1989)
Arena hooks, twin‑lead fireworks, and unashamed witness—Stryper’s defining statement roared across late‑’80s rock.
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Landing at #88, Stryper’s To Hell With The Devil
The 100 Greatest Albums in Christian Music — #89: Trin-I-Tee 5:7, Trin-I-Tee 5:7 (1998)
Silky harmonies and confident testimony—this late‑’90s debut brought youthful shine to gospel R&B.
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At #89, Trin‑i‑tee 5:7 (1998) arrives with sleek beats, honeyed vocals,
The 100 Greatest Albums in Christian Music — #90: Jon Gibson, Jesus Loves Ya (1990)
R&B sheen, gospel heart—Jon Gibson’s breakthrough made Christian music dance, sway, and smile.
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Coming in at #90, Jon Gibson’s Jesus Loves Ya (1990)
The 100 Greatest Albums in Christian Music — #91: Resurrection Band, Awaiting Your Reply (1978)
Chicago streets, bluesy riffs, and gospel hope—Rez Band’s arrival proved Christian rock could be raw, relevant, and real.
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At #91, Awaiting Your Reply
The 100 Greatest Albums in Christian Music — #92: Amy Grant, Age To Age (1982)
The album that crowned Amy Grant as the “Queen of Christian Pop” brought faith-based music to a wider audience with warmth, honesty, and excellence.
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The 100 Greatest Albums in Christian Music — #93: 2nd Chapter of Acts, Phil Keaggy, and A Band Called David — How the West Was One (1977)
This 1977 live album captured the energy of 2nd Chapter of Acts, Phil
The 100 Greatest Albums in Christian Music — #94: Michael English, Michael English (1991)
Michael English’s 1991 debut blended powerhouse vocals with heartfelt emotion, setting a new standard for male CCM artists.
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Coming in at #94 in The 100
