The 100 Greatest Albums in Christian Music — #60: Fred Hammond & Radical For Christ, Pages Of Life: Chapter 1 & 2 (1998)
A modern gospel monument—studio songs and a roaring live set that reshaped Sunday mornings.
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Appearing at
Tag: 1990s Christian Music
The 100 Greatest Albums in Christian Music — #66: 4Him, The Basics Of Life (1992)
Harmony‑rich pop that puts everyday discipleship back at the center—big hooks, bigger convictions.
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Appearing at #66 in The 100 Greatest Albums in Christian Music
The 100 Greatest Albums in Christian Music — #68: Iona, The Book Of Kells (1992)
Celtic‑progressive devotion—rivering whistles, widescreen guitars, and prayers that glow like illuminated pages.
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Appearing at #68 in The 100 Greatest Albums in Christian Music,
The 100 Greatest Albums in Christian Music — #70: Newsboys, Going Public (1994)
Sardonic, singable pop‑rock that made theology dance and radio grin.
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Appearing at #70 in The 100 Greatest Albums in Christian Music, Newsboys’ Going Public (1994)
The 100 Greatest Albums in Christian Music — #71: Petra, Beyond Belief (1990)
CCM’s arena‑rock high‑water mark—doctrine you can chant, hooks you can’t shake.
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Appearing at #71 in The 100 Greatest Albums in Christian Music, Petra’s Beyond Belief
The 100 Greatest Albums in Christian Music — #73: Kirk Franklin And The Family, Kirk Franklin And The Family (1993)
A choir revival for the hip‑hop generation—call‑and‑response praise with crossover vision.
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Coming in at #73 of The 100 Greatest
The 100 Greatest Albums in Christian Music — #77: Julie Miller, Invisible Girl (1994)
Gentle, fearless songwriting that turned vulnerability into ministry and folk‑pop into pastoral care.
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Charted at #77 in The 100 Greatest Albums in Christian Music,
The 100 Greatest Albums in Christian Music — #78: Various Artists, Streams (1999)
A late‑’90s worship‑and‑reflection project that bridged CCM and mainstream voices with cinematic scope.
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Placed at #78 in The 100 Greatest Albums in Christian Music, Streams
The 100 Greatest Albums in Christian Music — #79: Twila Paris, Sanctuary (1991)
A quiet, Scripture-rich worship cycle that carried Twila Paris’s church-focused songwriting into the ’90s with grace, intention, and lasting global influence.
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Landing at #79 in The
The 100 Greatest Albums in Christian Music — #80: Jennifer Knapp, Kansas (1997)
Acoustic grit and confessional lyrics—an alt-folk milestone that made space for vulnerability in CCM.
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Coming in at #80 in The 100 Greatest Albums in Christian Music