The 100 Greatest Albums in Christian Music — #40: Amy Grant, A Christmas Album (1983)
A modern Christmas classic—warm vocals, orchestral glow, and a blend of carols and originals that helped redefine holiday music in CCM.
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Arriving at #40
Tag: 1980s Christian Music
The 100 Greatest Albums in Christian Music — #41: U2, October (1981)
Post-punk devotion in real time—anguished prayers, chiming guitars, and a band still learning how to carry faith into the spotlight.
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Arriving at #41 in The 100 Greatest
The 100 Greatest Albums in Christian Music — #46: Margaret Becker, Immigrant’s Daughter (1989)
Arena‑ready conviction with singer‑songwriter heart—electric bite, anthemic hooks, and a story you can hear.
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Appearing at #46 in The 100 Greatest Albums in Christian Music
The 100 Greatest Albums in Christian Music — #48: The Winans, Tomorrow (1984)
Sanctified soul modernized—quartet DNA meeting sleek ’80s production, turning testimony into radio gold.
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Appearing at #48 in The 100 Greatest Albums in Christian Music, The
The 100 Greatest Albums in Christian Music — #49: Keith Green, So You Wanna Go Back To Egypt (1980)
Prophetic piano pop—holy zeal, sharp wit, and melodies that still call the church to wakefulness.
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Appearing at #49 in The
The 100 Greatest Albums in Christian Music — #50: The Choir, Chase The Kangaroo (1988)
Alt‑rock shimmer with sacramental longing—jangled guitars, deep‑in‑the‑bones rhythms, and lyrical second sight.
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Appearing at #50 in The 100 Greatest Albums in Christian Music,
The 100 Greatest Albums in Christian Music — #54: Take 6, Take 6 (1988)
Jazz‑schooled a cappella that redefined ‘tight’—close‑harmony fireworks set to sanctified swing.
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Appearing at #54 in The 100 Greatest Albums in Christian Music, Take 6’s
The 100 Greatest Albums in Christian Music — #55: Adam Again, Ten Songs By Adam Again (1988)
Blue‑eyed soul and post‑punk angles—Gene Eugene’s wry confessions over grooves that smolder and sting.
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Appearing at #55 in The 100 Greatest Albums
The 100 Greatest Albums in Christian Music — #57: Twila Paris, Kingdom Seekers (1985)
Vertical devotion with radio savvy—literate worship choruses carried by pristine ’80s pop craft.
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Appearing at #57 in The 100 Greatest Albums in Christian Music,
The 100 Greatest Albums in Christian Music — #62: Daniel Amos, Alarma! (1981)
Wake‑up call with a backbeat—new‑wave sharpness, prophetic lyrics, and a band reborn.
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Appearing at #62 in The 100 Greatest Albums in Christian Music, Daniel Amos’s