The 100 Greatest Albums in Christian Music — #54: Take 6, Take 6 (1988)
Jazz‑schooled a cappella that redefined ‘tight’—close‑harmony fireworks set to sanctified swing.
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Appearing at #54 in The 100 Greatest Albums in Christian Music, Take 6’s
Tag: 1980s Christian Music
The 100 Greatest Albums in Christian Music — #55: Adam Again, Ten Songs By Adam Again (1988)
Blue‑eyed soul and post‑punk angles—Gene Eugene’s wry confessions over grooves that smolder and sting.
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Appearing at #55 in The 100 Greatest Albums
The 100 Greatest Albums in Christian Music — #57: Twila Paris, Kingdom Seekers (1985)
Vertical devotion with radio savvy—literate worship choruses carried by pristine ’80s pop craft.
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Appearing at #57 in The 100 Greatest Albums in Christian Music,
The 100 Greatest Albums in Christian Music — #62: Daniel Amos, Alarma! (1981)
Wake‑up call with a backbeat—new‑wave sharpness, prophetic lyrics, and a band reborn.
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Appearing at #62 in The 100 Greatest Albums in Christian Music, Daniel Amos’s
The 100 Greatest Albums in Christian Music — #63: Daniel Amos, Horrendous Disc (1980)
The great pivot—country‑rock roots give way to clever, art‑rock confession and critique.
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Appearing at #63 in The 100 Greatest Albums in Christian Music, Daniel
The 100 Greatest Albums in Christian Music — #66: Bob Bennett, Matters Of The Heart (1982)
Harmony‑rich pop that puts everyday discipleship back at the center—big hooks, bigger convictions.
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Appearing at #66 in The 100 Greatest Albums in Christian
The 100 Greatest Albums in Christian Music — #67: Charlie Peacock, Lie Down In The Grass (1984)
Art‑pop curiosity that introduced a melodic architect—jazz‑tinged chords, literate turns, and fearless hooks.
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Appearing at #67 in The 100 Greatest Albums in
The 100 Greatest Albums in Christian Music — #69: Allies, Long Way From Paradise (1989)
Velvet‑glove AOR—anthemic choruses, guitar sheen, and discipleship in denim.
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Appearing at #69 in The 100 Greatest Albums in Christian Music, Allies’ Long Way
The 100 Greatest Albums in Christian Music — #74: White Heart, Don’t Wait For The Movie (1986)
Hook‑heavy rock with a pastor’s heart—anthemic faith for the FM dial.
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Charting at #74 in The 100 Greatest Albums in Christian Music
The 100 Greatest Albums in Christian Music — #76: Randy Stonehill, Return To Paradise (1989)
A late‑’80s summit of songcraft—wry storytelling, aching ballads, and radiant hope.
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Landing at #76 in The 100 Greatest Albums in Christian Music, Randy