The 100 Greatest Albums in Christian Music — #54: Take 6, Take 6 (1988)
Jazz‑schooled a cappella that redefined ‘tight’—close‑harmony fireworks set to sanctified swing.
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Appearing at #54 in The 100 Greatest Albums in Christian Music, Take 6’s
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The 100 Greatest Albums in Christian Music — #55: Adam Again, Ten Songs By Adam Again (1988)
Blue‑eyed soul and post‑punk angles—Gene Eugene’s wry confessions over grooves that smolder and sting.
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Appearing at #55 in The 100 Greatest Albums
The 100 Greatest Albums in Christian Music — #56: The Gotee Brothers, E.R.A.C.E. (1996)
Holy hip‑hop with a conscience—genre fusion, racial reconciliation, and hook‑rich beats before it was safe to try.
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Appearing at #56 in The 100 Greatest Albums
The 100 Greatest Albums in Christian Music — #58: Rick Elias & The Confessions, Rick Elias & The Confessions (1988)
Americana grit meets spiritual candor—heart‑on‑sleeve rock that made alt‑CCM believable and beautifully human.
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Appearing at #58 in The 100
The 100 Greatest Albums in Christian Music — #59: Andraé Crouch & The Disciples, Soulfully (1972)
Sanctified soul with crossover savvy—choir call, pop craft, and a pastor’s heart.
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Appearing at #59 in The 100 Greatest Albums in Christian Music
The 100 Greatest Albums in Christian Music — #63: Daniel Amos, Horrendous Disc (1980)
The great pivot—country‑rock roots give way to clever, art‑rock confession and critique.
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Appearing at #63 in The 100 Greatest Albums in Christian Music, Daniel
The 100 Greatest Albums in Christian Music — #64: Phil Keaggy, Love Broke Thru (1976)
Guitar genius meets devotional poetry—virtuosity humbled into service of song.
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Appearing at #64 in The 100 Greatest Albums in Christian Music, Phil Keaggy’s
The 100 Greatest Albums in Christian Music — #66: Bob Bennett, Matters Of The Heart (1982)
Harmony‑rich pop that puts everyday discipleship back at the center—big hooks, bigger convictions.
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Appearing at #66 in The 100 Greatest Albums in Christian
The 100 Greatest Albums in Christian Music — #73: Kirk Franklin And The Family, Kirk Franklin And The Family (1993)
A choir revival for the hip‑hop generation—call‑and‑response praise with crossover vision.
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Coming in at #73 of The 100 Greatest
The 100 Greatest Albums in Christian Music — #74: White Heart, Don’t Wait For The Movie (1986)
Hook‑heavy rock with a pastor’s heart—anthemic faith for the FM dial.
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Charting at #74 in The 100 Greatest Albums in Christian Music