#50: The Choir – Chase The Kangaroo (1988)

Posted 3 months ago by CCM Professor

The 100 Greatest Albums in Christian Music — #50: The Choir, Chase The Kangaroo (1988)

Alt‑rock shimmer with sacramental longing—jangled guitars, deep‑in‑the‑bones rhythms, and lyrical second sight.

Intro

Appearing at #50 in The 100 Greatest Albums in Christian Music,

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#51: Cece Winans – Everlasting Love (1998)

Posted 3 months ago by CCM Professor

The 100 Greatest Albums in Christian Music — #51: CeCe Winans, Everlasting Love (1998)

Velvet‑voiced praise with pop finesse—contemporary R&B textures carrying sanctuary promises to radio.

Intro

Appearing at #51 in The 100 Greatest Albums in Christian Music, CeCe

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#52: King’s X – Faith Hope Love By King’s X (1990)

Posted 3 months ago by CCM Professor

The 100 Greatest Albums in Christian Music — #52: King’s X, Faith Hope Love (1990)

Power‑trio theology—drop‑dead grooves, gospel‑tinged harmonies, and lyrics that wrestle in the open.

Intro

Appearing at #52 in The 100 Greatest Albums in Christian Music,

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#53: The Choir – Circle Slide (1990)

Posted 3 months ago by CCM Professor

The 100 Greatest Albums in Christian Music — #53: The Choir, Circle Slide (1990)

Dream‑pop devotion—cathedral‑sized guitars and diary‑level honesty drifting on warm reverb.

Intro

Appearing at #53 in The 100 Greatest Albums in Christian Music, The Choir’s Circle

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#55: Adam Again – Ten Songs By Adam Again (1988)

Posted 4 months ago by CCM Professor

The 100 Greatest Albums in Christian Music — #55: Adam Again, Ten Songs By Adam Again (1988)

Blue‑eyed soul and post‑punk angles—Gene Eugene’s wry confessions over grooves that smolder and sting.

Intro

Appearing at #55 in The 100 Greatest Albums

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#56: The Gotee Brothers – Erace (1996)

Posted 4 months ago by CCM Professor

The 100 Greatest Albums in Christian Music — #56: The Gotee Brothers, E.R.A.C.E. (1996)

Holy hip‑hop with a conscience—genre fusion, racial reconciliation, and hook‑rich beats before it was safe to try.

Intro

Appearing at #56 in The 100 Greatest Albums

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#57: Twila Paris – Kingdom Seekers (1985)

Posted 4 months ago by CCM Professor

The 100 Greatest Albums in Christian Music — #57: Twila Paris, Kingdom Seekers (1985)

Vertical devotion with radio savvy—literate worship choruses carried by pristine ’80s pop craft.

Intro

Appearing at #57 in The 100 Greatest Albums in Christian Music,

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#58: Rick Elias And The Confessions – Rick Elias And The Confessions (1988)

Posted 4 months ago by CCM Professor

The 100 Greatest Albums in Christian Music — #58: Rick Elias & The Confessions, Rick Elias & The Confessions (1988)

Americana grit meets spiritual candor—heart‑on‑sleeve rock that made alt‑CCM believable and beautifully human.

Intro

Appearing at #58 in The 100

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#60: Fred Hammond And Radical For Christ – Pages Of Life, Chapter I & II (1998)

Posted 4 months ago by CCM Professor

The 100 Greatest Albums in Christian Music — #60: Fred Hammond & Radical For Christ, Pages Of Life: Chapter 1 & 2 (1998)

A modern gospel monument—studio songs and a roaring live set that reshaped Sunday mornings.

Intro

Appearing at

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#61: The Winans – Return (1990)

Posted 4 months ago by CCM Professor

The 100 Greatest Albums in Christian Music — #61: The Winans, Return (1990)

Heritage gospel meets contemporary R&B—silk‑smooth harmonies, immaculate grooves, and vertical devotion.

Intro

Appearing at #61 in The 100 Greatest Albums in Christian Music, The Winans’ Return

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Faith, Music, and Legacy

Faith, Music, and Legacy

Category: 100 Greatest Albums

The 100 Greatest Albums in Christian Music — #50: The Choir, Chase The Kangaroo (1988)

Alt‑rock shimmer with sacramental longing—jangled guitars, deep‑in‑the‑bones rhythms, and lyrical second sight.

Intro

The 100 Greatest Albums in Christian Music — #51: CeCe Winans, Everlasting Love (1998)

Velvet‑voiced praise with pop finesse—contemporary R&B textures carrying sanctuary promises to radio.

Intro

The 100 Greatest Albums in Christian Music — #52: King’s X, Faith Hope Love (1990)

Power‑trio theology—drop‑dead grooves, gospel‑tinged harmonies, and lyrics that wrestle in the open.

Intro

The 100 Greatest Albums in Christian Music — #53: The Choir, Circle Slide (1990)

Dream‑pop devotion—cathedral‑sized guitars and diary‑level honesty drifting on warm reverb.

Intro

The 100 Greatest Albums in Christian Music — #55: Adam Again, Ten Songs By Adam Again (1988)

Blue‑eyed soul and post‑punk angles—Gene Eugene’s wry confessions over grooves that smolder and sting.

Intro

The 100 Greatest Albums in Christian Music — #56: The Gotee Brothers, E.R.A.C.E. (1996)

Holy hip‑hop with a conscience—genre fusion, racial reconciliation, and hook‑rich beats before it was safe to try.

Intro

The 100 Greatest Albums in Christian Music — #57: Twila Paris, Kingdom Seekers (1985)

Vertical devotion with radio savvy—literate worship choruses carried by pristine ’80s pop craft.

Intro

The 100 Greatest Albums in Christian Music — #58: Rick Elias & The Confessions, Rick Elias & The Confessions (1988)

Americana grit meets spiritual candor—heart‑on‑sleeve rock that made alt‑CCM believable and beautifully human.

Intro

The 100 Greatest Albums in Christian Music — #60: Fred Hammond & Radical For Christ, Pages Of Life: Chapter 1 & 2 (1998)

A modern gospel monument—studio songs and a roaring live set that reshaped Sunday mornings.

Intro

The 100 Greatest Albums in Christian Music — #61: The Winans, Return (1990)

Heritage gospel meets contemporary R&B—silk‑smooth harmonies, immaculate grooves, and vertical devotion.

Intro

Intro