The 100 Greatest Albums in Christian Music — #74: White Heart, Don’t Wait For The Movie (1986)
Hook‑heavy rock with a pastor’s heart—anthemic faith for the FM dial.
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Charting at #74 in The 100 Greatest Albums in Christian Music
Author: CCM Professor
🎶 **Welcome to CCM Professor!** 🎶
If you love the sounds of *classic* Contemporary Christian Music — the songs, the stories, and the spiritual impact — you’re in the right place.
Here at **CCM Professor**, we explore the golden era of CCM, roughly from **1967 to 2001**. Through podcasts, blog posts, artist spotlights, and behind-the-scenes insights, we dive deep into the music that shaped a generation of believers.
But this isn’t just about nostalgia. It’s about **faith**. Our goal is to remember and rediscover music that not only made history, but still strengthens hearts today.
Whether you grew up on Andraé Crouch, Amy Grant, Petra, or Point of Grace, or you’re just discovering this powerful legacy — welcome. Let’s journey together.
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The 100 Greatest Albums in Christian Music — #75: Imperials, One More Song For You (1979)
Studio‑perfect gospel‑pop that set a new bar for CCM production—and won hearts for a lifetime.
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At #75 in The 100 Greatest Albums in
The 100 Greatest Albums in Christian Music — #76: Randy Stonehill, Return To Paradise (1989)
A late‑’80s summit of songcraft—wry storytelling, aching ballads, and radiant hope.
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Landing at #76 in The 100 Greatest Albums in Christian Music, Randy
The 100 Greatest Albums in Christian Music: From Keaggy to Patty (#93–87)
Seven albums, one movement in full bloom—from a landmark live collaboration to orchestral worship on a grand scale.
Episode Intro
Welcome to Episode 3 of The CCM Professor
The 100 Greatest Albums in Christian Music — #77: Julie Miller, Invisible Girl (1994)
Gentle, fearless songwriting that turned vulnerability into ministry and folk‑pop into pastoral care.
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Charted at #77 in The 100 Greatest Albums in Christian Music,
The 100 Greatest Albums in Christian Music — #78: Various Artists, Streams (1999)
A late‑’90s worship‑and‑reflection project that bridged CCM and mainstream voices with cinematic scope.
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Placed at #78 in The 100 Greatest Albums in Christian Music, Streams
The 100 Greatest Albums in Christian Music — #79: Twila Paris, Sanctuary (1991)
A quiet, Scripture-rich worship cycle that carried Twila Paris’s church-focused songwriting into the ’90s with grace, intention, and lasting global influence.
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Landing at #79 in The
The 100 Greatest Albums in Christian Music — #80: Jennifer Knapp, Kansas (1997)
Acoustic grit and confessional lyrics—an alt-folk milestone that made space for vulnerability in CCM.
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Coming in at #80 in The 100 Greatest Albums in Christian Music
The 100 Greatest Albums in Christian Music — #81: Cindy Morgan, Listen (1996)
From dance-pop prodigy to reflective storyteller—arrangements and lyrics that reward close attention.
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Coming in at #81 in The 100 Greatest Albums in Christian Music, Listen
The 100 Greatest Albums in Christian Music — #82: Seventy Seven’s, 77’s (1987)
Art-rock finesse and pop instincts—The 77s at their most accessible and enduring.
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Coming in at #82 in The 100 Greatest Albums in Christian Music, 77’s