The 100 Greatest Albums in Christian Music — #54: Take 6, Take 6 (1988)
Jazz‑schooled a cappella that redefined ‘tight’—close‑harmony fireworks set to sanctified swing.
Intro
Appearing at #54 in The 100 Greatest Albums in Christian Music, Take 6’s
Author: CCM Professor
🎶 **Welcome to CCM Professor!** 🎶
If you love the sounds of *classic* Contemporary Christian Music — the songs, the stories, and the spiritual impact — you’re in the right place.
Here at **CCM Professor**, we explore the golden era of CCM, roughly from **1967 to 2001**. Through podcasts, blog posts, artist spotlights, and behind-the-scenes insights, we dive deep into the music that shaped a generation of believers.
But this isn’t just about nostalgia. It’s about **faith**. Our goal is to remember and rediscover music that not only made history, but still strengthens hearts today.
Whether you grew up on Andraé Crouch, Amy Grant, Petra, or Point of Grace, or you’re just discovering this powerful legacy — welcome. Let’s journey together.
👉 Like the page, share with fellow fans, and stay tuned for new episodes and posts!
The 100 Greatest Albums in Christian Music — #55: Adam Again, Ten Songs By Adam Again (1988)
Blue‑eyed soul and post‑punk angles—Gene Eugene’s wry confessions over grooves that smolder and sting.
Intro
Appearing at #55 in The 100 Greatest Albums
The 100 Greatest Albums in Christian Music — #56: The Gotee Brothers, E.R.A.C.E. (1996)
Holy hip‑hop with a conscience—genre fusion, racial reconciliation, and hook‑rich beats before it was safe to try.
Intro
Appearing at #56 in The 100 Greatest Albums
The 100 Greatest Albums in Christian Music — #57: Twila Paris, Kingdom Seekers (1985)
Vertical devotion with radio savvy—literate worship choruses carried by pristine ’80s pop craft.
Intro
Appearing at #57 in The 100 Greatest Albums in Christian Music,
The 100 Greatest Albums in Christian Music — #58: Rick Elias & The Confessions, Rick Elias & The Confessions (1988)
Americana grit meets spiritual candor—heart‑on‑sleeve rock that made alt‑CCM believable and beautifully human.
Intro
Appearing at #58 in The 100
The 100 Greatest Albums in Christian Music — #59: Andraé Crouch & The Disciples, Soulfully (1972)
Sanctified soul with crossover savvy—choir call, pop craft, and a pastor’s heart.
Intro
Appearing at #59 in The 100 Greatest Albums in Christian Music
The 100 Greatest Albums in Christian Music — #60: Fred Hammond & Radical For Christ, Pages Of Life: Chapter 1 & 2 (1998)
A modern gospel monument—studio songs and a roaring live set that reshaped Sunday mornings.
Intro
Appearing at
The 100 Greatest Albums in Christian Music — #61: The Winans, Return (1990)
Heritage gospel meets contemporary R&B—silk‑smooth harmonies, immaculate grooves, and vertical devotion.
Intro
Appearing at #61 in The 100 Greatest Albums in Christian Music, The Winans’ Return
The 100 Greatest Albums in Christian Music — #62: Daniel Amos, Alarma! (1981)
Wake‑up call with a backbeat—new‑wave sharpness, prophetic lyrics, and a band reborn.
Intro
Appearing at #62 in The 100 Greatest Albums in Christian Music, Daniel Amos’s
The 100 Greatest Albums in Christian Music — #63: Daniel Amos, Horrendous Disc (1980)
The great pivot—country‑rock roots give way to clever, art‑rock confession and critique.
Intro
Appearing at #63 in The 100 Greatest Albums in Christian Music, Daniel